Again and Again the Kite Runner
Guilt and Redemption inThe Kite Runner
Learn more about: Superego Guilt, Redemption and Atonement in Khaled Hosseini'southThe Kite Runner.
In this paper, Hesham Khadawardi explores how themes of guilt and redemption are interwoven and the two well-nigh prominent themes throughout The Kite Runner. Throughout his paper, Khadawardi focuses on how Hosseini uses the protagonist, Amir, every bit a way to anticipate how redemption merely comes equally a subsequent response to an "ominous offence" because the thespian feels some kind of remorse. Khadawardi examines Amir's characterization and character as a clear manifestation of both guilt and redemption. He attempts to answer questions, similar: In what ways are guilt and redemption manifested? To what extent do interventions past the guilt address the effect of guilt? What is the role of betrayal as harbinger of guilt and redemption?
Khadawardi, Hesham. "Superego Guilt, Redemption and Atonement in Khaled Hosseini's the Kite Runner." International Journal of Humanities, Social Sciences and Education 4, no. 2 (2017). doi:10.20431/2349-0381.0402009.
Learn more almost:The Kite Runner equally an Allegory of Global Ethics.
In this article, Jefferess critically examines the recurring concept/ideology inThe Kite Runner on ethics that, "there is a way to be good once more," in relation to contemporary conceptions of humanitarianism. As Jefferess explains in item,The Kite Runner is allegorical in the sense that the narrative begs for answers to moral questions regarding responsibleness and intervention, and information technology reflects, or at to the lowest degree is translatable to, contemporary upstanding discourses of humanitarianism and globalized identities. Jefferess also goes into depth well-nigh man's moral obligation to be skilful, and backs upwardly his argument by dissecting Rahim Khan's reminder to Amir that there is a way "to be good again," and how Amir's mission in the novel to be good again is an private dilemma that the universal reader can place with. Every bit a political allegory, Jefferess examines how race, nation, and/or organized religion can exist transcended through the stardom of the private every bit being "good." He argues that "The Kite Runner reflects a shift from the supremacy of race and nation equally primary markers of political customs and identity to the thought of the 'mod' as the framework for determining the 'human.'"
Jefferess, David (2009) 'To be good (once more): The Kite Runner as allegory of global ideals', Periodical of Postcolonial Writing, 45: 4, 389-400, DOI: 10.1080/17449850903273572.
Afghan Ethnic Tensions
Learn more about: The Hazaras of Afghanistan.
Throughout Mousavi's book, he offers historical insight on the Hazara ethnic group in Afghanistan and the discrimination they have faced and still confront today. He explores the complexities of Afghan society and the dissimilar ways in which Afghanistan is considered a nation suffering from a crunch of social identity. He identifies and analyzes the crisis of social identity in Afghanistan, specifically for ethnic Hazaras, by going into detail nearly the cultures and beliefs of Hazaras, including religion, language, and art, and and so explaining the socio-economic relations with other ethnic groups. Moreover, Mousavi illustrates the socio-political change in Hazara order past talking about the Hazara uprisings in the nineteenth century and the consequences of the uprisings' failure, too as Hazaras in gimmicky Afghanistan and various Hazara resistance movements.
Mousavi, Sayed Askar. The Hazaras of Afghanistan: an Historical, Cultural, Economic and Political Report. Curzon, 1998.
Learn more about:Representation of Afghan History and Conflict in Khaled Hosseini'due south The Kite Runner.
In this essay, Kumar explores howThe Kite Runner is a expert representation of Afghan history, every bit it covers the period from 1979 Soviet Invasion until the reconstruction and rebuilding of Afghanistan following the fall of the Taliban. It is an attempt to track the history of conflict in Transitional islamic state of afghanistan by reflecting cardinal historical events that shaped the history of Afghanistan and referencing The Kite Runner to depict how the state had been ravaged by violence and ethnic tension. He argues that Hosseini portrays Afghans as independent, brave people who have dedicated the country from several invasions over the terminal century. Moreover, Kumal reveals how Amir's encounter with the Taliban in society to aid Hassan illustrates the suffering that Afghan people had to undergo during the reign of the Taliban. Kumal'due south main argument is thatThe Kite Runner reveals the encarmine processes and ethnic tensions by which historical changes in Transitional islamic state of afghanistan accept come about.
KUMAR, Hilal Ahmad. Representation of Afghan History and Disharmonize in Khaled Hosseini's The Kite Runner. IJELLH (International Journal of English Language, Literature in Humanities), [S.l.], v. 7, n. two, p. 10, feb. 2019. ISSN 2321-7065. Available at: <http://www.ijellh.support-foundation.com/OJS/index.php/OJS/commodity/view/7097>. Date accessed: 23 may 2019.
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Danny Shush '19
Source: https://sites.udel.edu/movingfictions/the-kite-runner/further-research/
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